Showing posts with label metaphor. Show all posts
Showing posts with label metaphor. Show all posts

Friday, July 22, 2016

The Nazi room

Some friends have said that they regret using Facebook because it makes them like their peers less. That someone they would probably like in person becomes someone they can’t stand because of the opinions they post. I understand this sentiment, and at times I can relate to it. But at the same time, it’s hard to believe that somebody’s defining beliefs and overall worldview would never be expressed face to face if you know them well enough. And if they are hiding certain values, I’m not sure I’d rather be unaware of what those values are.

In the past, I have written that there is no single “true” self. People are multifaceted, and we can be kinder and more complicated than our belief systems. I don’t believe that a human necessarily has only one set of values; they can have several at odds with one another. But even if their values aren’t a neatly matching set, others can still feel alienated by a particular belief they have—even with the awareness that it isn’t their only belief. I know I will distance myself from a person if they express specific beliefs, just as I know I’m not exempt from alienating others with mine.

The internet is a paradoxical place. It’s a space where humans are bolder and more confrontational about expressing themselves, and at the same time more cautious if their words are for public consumption. It’s a place where individuals can perform a one-dimensional version of themselves, and where they can also share sides of their psyche that are not usually seen. It’s a meeting ground where people dismiss each other more readily because it’s easier to see a human as a set of pixels or an algorithm, but people also might offer each other more time. Because the online world is us, an outgrowth of both space and time.

Just as the internet is people and the internet is a place, people are places. Some are homes. Some are locations we think are homes, but turn out to be stops along the way. Some are havens we visit routinely, but where we don’t ultimately live. That’s why I think of a personality as a house. Some houses have consistent themes throughout. Those homes are cozy and predictable. Some prefer that, others find it dull. Some houses are neat and affable in the rooms that are meant for showcasing, but complete chaos in the private quarters. And others don’t hide their mess.

This is the type of home I’d find most disconcerting: The social, guest-receiving rooms are open and embracing. The living room contains an MLK poster and books about environmentalism and civil rights. Then, somewhere tucked far down a hallway, there’s a study full of KKK propaganda and Nazi memorabilia. The resident is flustered upon guests discovering it, but insists it’s “not a racist thing.” They say they have no problem with (X minority group), they just “don’t want them in their country.” (So what does “having no problem with them” mean? Not objecting to their basic existence, provided that existence occurs far away and they never have to inhabit the same space?) The person who owns and maintains this house may not see the space dedicated to bigotry as their “true” room. They may see it as just one coexisting with all the others, no more of a core space than anywhere else. They may even like to have minority friends in the house; just not in that area. But the guests who liked the main quarters won’t feel comfortable there anymore, and it would be especially scary if the house was a place where they’d regularly enjoyed spending time.

That figurative house is who some people are. Some may not actually be aware that they contain that specific room. Others might know about it but blame others for putting the contents inside, not acknowledging that they choose to hold onto those things. And I know my definition of welcoming is subjective; some would feel a lot more embraced in the bigotry room than in the main socially presented areas. But that is how I see it, and I think the internet provides a window into rooms that might not otherwise be seen—even by those who live in the house. The difference lies in whether or not the homeowner justifies that room; whether they respond to its discovery by more carefully hiding the contents, by bringing them out into the open, or by trying to renovate.

Stretch

There's something calming about long shadows stretched across chain link fences and sidewalks. Maybe because it shows that even a flat facsimile of you can wrap itself around many surfaces at once and reach across the daylight. If you don't have the energy at the moment, it will fill in for you until you do.

Road maps II

Wires and veins and road maps are all similar visually, and linked in concept. Technology connects people as part of a larger body and is the highway we travel together.

Ivy

A while back, I wondered if ivy is so appropriate for Ivy League schools because the plant itself is always ascending. I've also noticed other similarities between the plant and the students. It networks, intertwining with the other vines. Onlookers tend to immediately think of the ivy before thinking of the institution (at least in a physical sense). Some of it forgets it has roots in the ground and is held up by a foundation; that it didn't rise so far only by itself. Other vines remember and lift more of them up.

Wednesday, March 18, 2015

Crossroads and crosswords

I've decided that my life is essentially a crossword puzzle. Those of you who saw my essay about living with NLD know that I have a lot of trouble navigating space and make my way around with no sense of direction, so words are used to compensate for the void. And that's exactly how a crossword puzzle is filled out; finding the right words to fill in blanks and trying to make them fit together. That's where words and space converge; crosswords and crossroads. It's the interim where my life stands on tiptoe, trying to find a harmony between the two.

Saturday, February 7, 2015

The cycle

Raindrops on a window split apart and join together, mimicking both mitosis and its opposite. They depict life's origins. They show both the return to our beginnings and our separation from them as we forge new identities. Throughout our lives we stray from our roots and return to them over and over again.
Rains feeds the ocean, the subconscious mind, full of murkiness and unfamiliar things we come to recognize. The subconscious gives birth to conscious ideas, like aquatic creatures evolving to dwell on land.
               Both conscious and subconscious thoughts have life cycles. They're born, feed off of other thoughts, breed further notions, and pass on. Sometimes they're reincarnated as more evolved ideas and then materialize as more raindrops on the window.